What to call each new design?

What to call each new design?

ON THE NAMING OF FONTS Do you have a formula for naming typefaces, Nick? Not really, Nick. Whatever sticks. I’m always looking for a new twist. Beaufort, then, after the cheese? That was actually “in the hood” as I lived on Beaufort Road in Toronto...
The Auld English fonts

The Auld English fonts

Focusing on the sea-change that occurred in the look of language around 1800, the Auld English fonts simulate the experience of reading prior to that great disruption, by diverse means. Some two centuries ago the long-s character was abandoned, spelling became...
Working the collection

Working the collection

Rembrandt: Etchings, Catalogue page 11, Abbey Art Series, c.1960. Times Roman, 8/8 pt. WORKING THE COLLECTION Rembrandt’s etchings, as a body of work, inspired the catalogue raisonné Rembrandt created some 300 different etchings, which may be divided into various...
Levitating horses

Levitating horses

The Derby Galop, sheet music cover, c.1850. Anonymous, lithograph. LEVITATING HORSES When Art found Truth wanting I’ve never had much contact with horses. As a child in the fifties I’d see a few in the street, hauling rag and bone carts or milk floats, but...
Books

Books

At Berry & Peterson, Kingston, Ontario. Photo: Zoë Shinn. BOOKS Which genres do you especially enjoy reading, Nick, and which do you avoid? I’m a devotee of coffee-table books with letterpress typography and photos printed by gravure. I rarely read...