Featured typeface:

Over time, many of the functors of page layout have become formalized within the concept of typeface as morphic categories, categories being the semantic building blocks of perception at the level of both individual physiology and social production. First case, then skew, weight, horizontal scale and serifization have evolved as the axes upon which type families may be configured. To these Shinn has added a cultural axis, with modern (minimalist: Sense) and old style (humanist: Sensibility) as two possible poles within the sans serif genre. Of these non-identical twins, Sensibility is the one arrayed with detail, inviting the reader to slow down and savor the moment. View PDF.

Sensibility Thin Italic

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Sensibility Extra Light

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Sensibility Extra Light Italic

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Sensibility Light

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Sensibility Light Italic

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Sensibility Regular

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Sensibility Italic

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Sensibility Medium

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Sensibility Medium Italic

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Sensibility Bold

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Sensibility Bold italic

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Sensibility Extra Bold

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Sensibility Extra Bold Italic

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Sensibility Black

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Sensibility Black Italic

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