With its symmetrical arrangement and justified text type, this poster layout is not too dissimilar to that used by Frederic Goudy (Goudy’s Type Designs, Myriade Press, New York, 1978, facsimile of a 1946 publication) or in The Book of Oz Cooper (The Society of Typographic Arts, Chicago, 1949). It’s a form of layout particularly appropriate to Oneleigh, an historicist typeface very much in the vein of those designers’ work.
Suitable for framing, with plenty of margin, each print is rendered in crisp detail on museum-quality, acid-free, Epson Enhanced Matte paper stock. The cost includes free shipping.
